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在人间 | 七夕花式虐狗,他跟她在地铁里吻别-天富平台

发布时间:2020-09-14  分类:天富官网代理信息  作者:dadiao  浏览:7

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你好,陌生人,

每天我们都会偶遇在一节封闭的地铁车厢里,

我们拥挤着,

两具陌生的肉体彼此贴伏的如此紧密。

我们面对面,

脸庞感觉着彼此呼吸的温度。

我看着你,想对你微笑,

但,我们的眼神从未有过那相遇的一刻。

你低着头沉浸在你的世界里,

显然它与我无关。

于是,我只能默默地看着你,

猜测着你的世界是什么样子。

——摄影师/韩继伟

地铁穿过北京,纵横交错,构成这个城市的血管。人们在细长的封闭车厢里流动和辗转,被运输至城市各处。像一个实验皿,在被迫与外界短暂隔离的空间里,地铁上自然形成了某种生态,人与人的联结在这里变得微妙。

从2014年开始,摄影师韩继伟开始了一个偏个人,实验性的项目,在每天拥挤的地铁车厢里,用手机以极近的距离拍摄地铁上的陌生人。他持续地在ins发布短视频,取名为“#Strangers in Beijing MTR”。这些画面没有加诸滤镜修饰,镜头粗砺、直白甚至略带冒犯意味,有的直接怼到了被摄者脸上。对他来说,地铁是城市文化中永远逃不过去的一笔。“我想去探讨封闭的空间中,在物理上极度紧密的情况下,‘人’的一种状态,‘我与人’以及‘人与人’之间的关系。”

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韩继伟的拍摄大部分都在上下班途中完成,地铁是他主要的通勤工具。他带着一部iPhone手机,记录下被摄者一生中的一小段时间。六年的时间,手机几经更新换代,拍摄一直没有停止。

六年来,也从未有人发现过他的拍摄行为。韩继伟会“通过肢体伪装,让被摄者觉得我不是在拍他”,但更重要的原因是,所有被摄者的注意力似乎都聚焦在窄窄的手机屏幕上,被网络牵动情绪。“我会集中去观察那种对外界、对自身之外的东西稍微有一点点新鲜感,有所反应的那种人。但太少了。你每天挤在地铁里的时候,抬个眼,有人会跟你对视一下吗?”

他使用了非常极端的形容:“现在大家都跟挺尸一样,进了一个钢铁的棺材里,挺尸挺出去,然后回到家。”

或许正是因此,韩继伟记录下无数属于恋人的时刻。亲密关系”是如此特殊的存在,身处其中的人们往往能脱离在公共空间里惯性的戒备状态,呈现出最大限度的松弛和饱满。

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这些作品背后的细节被存储于韩继伟的大脑中,随时可以重新讲述,“大清早的国贸站,到站了,男的下车前先把女人吻醒,再跟女人吻别”。在这里,个人隐私和公众生活之间的分界线消失了,一切秘密化的行动、流淌的情愫,摇摇晃晃的拥抱和亲吻,都变得合理正确。

拍摄早期,他形容是“胆战心惊,肾上腺素飙升”。和拍照不一样,拍完的瞬间,可以躲避,但拍摄视频有时长,“举着手机时,会担心后面或者旁边的人看到我在做什么”。现在他习惯了。“完全不在乎这些了,知道别人也不愿意看,你手机拿出来干啥都没人看。”

“城市在扩大,人口越来越密集。人与人之间的物理距离不断缩小,但是人变得越来越封闭,将自我沉溺在‘自我世界’之中。尽管在物理上我与陌生人隔着几片布料的距离,但在内心却是相距甚远,冷漠无视,毫无瓜葛。” 仅在过去6年的拍摄中,韩继伟察觉到了更多变化:随着智能手机越来越普及,地铁信号越来越好,地铁上的人愈加被封印在屏幕中,连情侣之间的亲昵都在变少。

“我视频中以前的情侣会搂着脖子聊聊天儿,双方有所互动。比较显著的转变点大概在2018年,4G的真正开始普及,大家在地铁里都是低着头刷手机。以前还总能遇到看书,看报,聊天,打瞌睡的,现在,地铁上情侣的互动变少了,打瞌睡的都少了!就更没人抬头看谁一眼了……”

在满是手机屏幕的地铁车厢中,韩继伟像一个异类,他像地铁中的其他陌生人一样,举起手机,然后慢慢走近,按下拍摄键。天富娱乐注册在他看来,放下自己的主观感受,与被摄对象共情,去体会被摄对象的心境,这“才好玩”,这也是他创作中重要的路径和乐趣。“开始拍摄的时候,也真的很享受可以那样观察别人的感觉。在那么近的距离下,对方脸上,身体上的任何微表情都可以看的清清楚楚……”

韩继伟的#Strangers in Beijing MTR系列仍在继续,他计划一直拍摄下去。

在拍摄了3000多条视频后,他尝试过整理和剪辑,但是最终他还是倾向“无序化”“碎片化”的展示,对他来说,剪辑师的引导过于主观,天富娱乐招商纯粹“客观”的观察更重要。在他心里,最为理想的展现形式是在其他国家或城市的地铁车厢里,装上视频播放设备,随机播放着北京地铁里的陌生人,让作品穿越物理上的时间与空间而与地铁中的陌生人相遇。或许,这种形式更能激发人们抬起头去看一看自己周边的人,或者还能与他/她相视一笑吧。

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